![]() ![]() Furthermore, big pew-pew vehicles slowly took over – it got ridiculous in 2001’s Emperor: Battle for Dune – because big sci-fi means Star Wars-y tanks and ships, right? There were plenty of properties doing that already, and the world of Arrakis was asking for something not nearly as explosive.ĭune games went underground after Cryo somehow got its hands on the IP again to come up with a tie-in game for Frank Herbert’s Dune, a Sci-Fi Channel miniseries released in 2000. For starters: no waving guns and lasers around to battle, that’s the most not-Dune thing ever.ĭune II already showed signs of creative confusion by using a non-canon faction, House Ordos, instead of coming up with an interesting Fremen faction that barely resembled the other two (Atreides and Harkonnen). ![]() Anyone into the books knows why that’s a problem and nullifies what makes the universe special. Look, we’re not saying Dune II, later remade as Dune 2000, is a bad game, because it isn’t, but it set the IP on a path of conformity and diluted identity, giving birth to projects (later handled by EA) that felt like Command & Conquer mods. Even if people didn’t care much for Dune, it was an IP that could’ve pushed those strategy titles in fresher directions if it had been utilized properly. But Dune is so much more than that, and most games past the first one seemed to forget about its uniqueness, an untapped strength that was pushed aside in order to instead work with familiar blueprints. The iconography that has been solidified is that of the sandworms and maybe the stillsuit-wearing, blue-eyed Fremen. ![]() Here’s the thing: there’s so much to unpack in each of Frank Herbert’s novels (and his son’s if you’re into them) – the Dune universe follows common patterns, but constantly tears them down. The gameplay is likely what made these titles successful, rather than the ‘Dune’ name, and that became evident with Dune II. Building those games on top of an already-established property saved game companies precious time and wasn’t as risky as coming up with something new, but that was it. Lynch’s film had left a sour taste in people’s mouths, and avid book readers were the ones keeping the flame alive for future audiovisual adaptations. But did that happen because of their quality or because of the property they were based on? Looking back, Dune wasn’t very hot around that time. Okay, so both an adventure-RTS hybrid and a complete RTS made a splash in the early 90s. This is a bit of buried game history, but set up a lot of what we’d see later in the Command & Conquer series, born from Westwood as well, and in the first Warcraft. It was released just in time for Christmas 1992 and also found great success, establishing a new standard for strategy games. In fact, it was titled Dune II (with two different subtitles) only because it ended its development later. Oddly, Dune and Dune II were released only months apart, – they had been developed by different studios as rival projects under the same publisher’s umbrella.īeyond the basic DNA, Dune II, developed by Westwood Studios, had very little in common with Cryo’s game. Surprisingly, Virgin Games wanted to try its luck with a full-blown RTS too, in the form of Dune II. ![]()
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